Description
With Birds & Polychrome Colours
From our Japanese collection, we are pleased to offer this Japanese Cloisonne Enamel Vase by the Ando Company. The vase of ovoid form with circular opening, black enamel glaze and silver mounted rims. Boldly decorated with autumnal flowers and birds. To the top and bottom geometric patterns finish the vase. Signed to the base with the Jungin mark and the Ando company mark. The vase dates to the late Meiji Period / early tashio period circa 1915.
Ando Cloisonné Company (安藤七宝店) is a Japanese cloisonne making company located in Sakae, Nagoya, central Japan. Founded in the late 19th century by Andō Jubei (Jusaburo 1876-1953) and his brother in law Andō Juzaemon they made the cloisonne company a huge success. They recruited Kawade Shibatarō (1856–1921) a renowned cloisonne artist in his own right to be the head of the Ando Company studio who further developed plique-à-jour technique. During the 30 years of the 20th century Ando company employed over 50 cloisonne artists and the company was given an Imperial Warrant of Appointment to the Japanese court.
Meiji Period was an era of Japanese history that spanned from 1868 to 1912. It was the first half of the Empire of Japan, when the Japanese people began to build a paradigm of a modern, industrialised nation state and emergent great power, influenced by Western countries and aesthetics. As a result of radically different ideas, the changes to Japan were profound and it affected the social structure, politics, economy, military, and foreign relations across the board. The period corresponded to the reign of Emperor Meiji and was preceded by the Keio era and was succeeded by the Taisho era.
Cultural Art during the Meiji Period was of particular interest to the government and they overhauled the art export market which in turn promoted Japanese arts via various world’s fairs, beginning in Vienna at the world fair in 1873. The government heavily funded the fairs and took an active role organising how Japan’s culture was presented to the world including creating a semi-public company named Kiritsu Kosho Kaisha (First Industrial Manufacturing Company). The Kiritsu Kosho Kaisha was used to promote and commercialise exports of Japanese art and established the Hakurankai Jimukyoku (Exhibition Bureau) to maintain quality standards. For the 1876 Centennial International Exhibition in Philadelphia, the Japanese government created a Centennial Office and sent a special envoy to secure space for the 30,000 items that would be displayed. The Imperial Household also took an active interest in arts and crafts, commissioning works by select artists to be given as gifts for foreign dignitaries further emphasising the high quality and importance of Japanese art. Just before the end of the 19th century in 1890, the Teishitsu Gigeiin (Artist to the Imperial Household) system was created to recognise distinguished artists. These artists were selected for their exceptionally high quality wares and talent in their own industry. Over a period of 54 years Seventy artists were appointed, amongst these were ceramicist Makuzu Kozan and cloisonné enamel artist Namikawa Yasuyuki.
Enamel (vitreous enamel) also known as porcelain enamel, is a material made by fusing powdered glass to a substrate by firing, usually between 750 and 850 °C. The powder melts, flows, and then hardens to a smooth, durable vitreous coating. The word vitreous comes from the Latin vitreus, meaning “glassy”.
Antique a collectable object such as a piece of furniture or work of art that has a high value because of its age and quality. Objects of this nature are generally considered antique at 100 plus years of age.
Measurements 12cm High x 8cm Wide ( 4.72 x 3.15 Inches )
Condition Very Good, very light graze marks.
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