Description
Meiji Period (1868-1912)
From our Japanese collection we are delighted to present this exceptional pair of Japanese cloisonné enamel vases by Ota Hyozo.
The vases are of slender hexagonal form with trumpet mouths upon edged feet, decorated with remarkable artistry characteristic of the Meiji Period (1868–1912). Each panel displays finely worked kacho-ga (bird and flower scenes), including cherry blossoms, lilies, chrysanthemums, daffodils, wisteria, and seasonal foliage, all rendered in silver wire of varying gauge.
The decoration continues with intricate geometric motifs at the neck, shoulder, and foot, bordered with vibrant blue enamel bands framing each panel. The scenes are enhanced with delicate scrolling designs to the top, while the rims show original gilded surfaces now gently worn with age. We have firmly attributed this pair to Ota Hyozo, one of the recognised masters of Japanese cloisonné, based on the meticulous composition, subtle colour palette, and refined form.
This pair is a superb example of Japanese craftsmanship from the Meiji period cloisonné golden era, dating to circa 1890. Suitable for collectors of Japanese cloisonné enamel or broader Japanese decorative arts, they also serve as highly decorative pieces with exceptional visual appeal.
CLOISONNE
Cloisonné is a traditional decorative art that involves applying thin metal wires to form compartments (cloisons) on a metal surface, which are then filled with colourful enamel. After multiple firings and polishings, the result is a vibrant, glass-like finish with intricate designs. The technique has roots in ancient China but was perfected in Japan during the Meiji period (1868–1912), often referred to as the Golden Age of Cloisonné. Japanese artists developed advanced methods such as musen shippō (wireless cloisonné) and shōtai shippō (plique-à-jour), creating seamless, naturalistic, and even translucent effects. Highly prized for its precision, artistry, and beauty, Japanese cloisonné is regarded as one of the finest forms of enamel craftsmanship in the world and remains highly collectible today.
For further information see our article The Art of Japanese Cloisonné: History, Craftsmanship, and the Golden Age.
MEIJI PERIOD (1868-1912)
The Meiji era marked Japan’s transformation into a modern nation and a golden age of decorative arts. With the end of samurai rule and Japan’s opening to the West, artisans produced works of exceptional quality for both domestic and international audiences. Supported by the government through world fairs and Imperial commissions, Japanese lacquerware, cloisonné, satsuma ceramics, bronzes, and ivory carvings reached collectors worldwide. Many leading artists of the time, including Makuzu Kozan and Namikawa Yasuyuki, were honoured as Imperial Household Artists, ensuring the Meiji period remains one of the most celebrated eras of Japanese art.
For further information please see our article Japanese Meiji Period: Art, Collecting, and Cultural Transformation.
Enamel (vitreous enamel)
also known as porcelain enamel, is a material made by fusing powdered glass to a substrate by firing, usually between 750 and 850 °C. The powder melts, flows, and then hardens to a smooth, durable vitreous coating. The word vitreous comes from the Latin vitreous, meaning “glassy”.
Measurements
25cm High x 10cm Wide x 9cm Deep (9.84 x 3.94 x 3.54 Inches)
Condition
Excellent, no damage and no restoration
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