Description
This Japanese Satsuma koro (incense burner) by Kinkozan dates to the Meiji period, circa 1890. Of squat circular form, the koro is raised on three short feet and fitted with twin loop handles. The pierced cover is surmounted by a gilt chrysanthemum form finial and decorated throughout with densely worked floral, geometric and gilt ornament.
The body is arranged with a series of shaped cartouches framed by gilt borders and bands of Greek key decoration. Individual panels alternate between flowering plants and groups of figures in traditional Japanese dress, with the figural scenes painted in fine detail against pale stippled grounds. The floral panels depict sprays of chrysanthemums and other flowering plants, accompanied by butterflies, while the surrounding areas are filled with further floral, wave and geometric motifs in polychrome enamels and gilt.
The decoration continues across the underside, where stylised waves and scattered cherry blossom appear against a dark ground with gilt detailing. Each of the three feet is finished with a small gilt floral motif, continuing the decoration beneath the body rather than leaving the lower section plain.
The base is signed Kinkozan (錦光山) in gilt within a black rectangular cartouche.
View the full Japanese Satsuma Vase Collection.
MEASUREMENTS
7cm High x 9cm Diameter (2.76 x 3.54 Inches)
CONDITION
Excellent antique condition, no damage no restoration.
WHO WAS KINKOZAN 金光山?
the Kinkozan family have been associated with pottery dating back to 1645. They went on to become the largest producer of Satsuma ware by one individual company, from the end of the 19th century until 1927 after which the factory closed. By the 1850s Kobayashi Sobei (1824-84), Kinkozan Sobei (artist name Kinkozan IV), started to export his products together with the Kyoto manufacturer Taizan VIII. The main target market was America with their main production period approximately between 1875-1927 under the leadership of Kinkozan V(1868-1927).
For further information please see our Makers and Retailers page on Kinkozan.
WHAT IS THE SIGNIFICANCE OF THE CHRYSANTHEMUM (KIKU)?
The chrysanthemum, known as kiku (菊) in Japan, is one of the country’s most important symbols. Introduced from China in the 5th century, it quickly became associated with longevity, renewal, and autumn. By the 12th century, Emperor Go-Toba adopted the chrysanthemum as the crest of the Imperial family, where it remains today as the Imperial Seal of Japan, also called the Chrysanthemum Throne. The flower appears widely in art, poetry, festivals, and design, celebrated for both its seasonal beauty and its links to the virtues of loyalty, resilience, and honour.
For further information see our article Chrysanthemums in Japanese Culture: The Imperial Flower of Autumn.
WHAT IS THE JAPANESE MEIJI PERIOD (1868-1912)?
The Meiji era marked Japan’s transformation into a modern nation and a golden age of decorative arts. With the end of samurai rule and Japan’s opening to the West, artisans produced works of exceptional quality for both domestic and international audiences. Supported by the government through world fairs and Imperial commissions, Japanese lacquerware, cloisonné, satsuma ceramics, bronzes, and ivory carvings reached collectors worldwide. Many leading artists of the time, including Makuzu Kozan and Namikawa Yasuyuki, were honoured as Imperial Household Artists, ensuring the Meiji period remains one of the most celebrated eras of Japanese art.
For further information please see our article Japanese Meiji Period: Art, Collecting, and Cultural Transformation.
WHAT IS SATSUMA WARE?
Satsuma ware originated in southern Kyushu around 1600 and developed into one of Japan’s most recognisable ceramics. Early Ko-Satsuma pieces were rustic, dark-clay wares made for everyday use, while the later Kyo-Satsuma style became famous worldwide during the Meiji period.
Characterised by ivory crackled glaze, delicate overglaze enamels, and lavish gilding, export Satsuma appealed strongly to Western collectors. Designs often feature landscapes, flowers, figures, and scenes from Japanese life and mythology. Renowned artists such as Yabu Meizan, Ryozan, and the Kinkozan workshop produced some of the finest examples, which remain highly sought after today. Genuine Satsuma can often be identified by the Shimazu crest, artist signatures, or the mark “Dai Nippon” used during the Meiji era.
For further information on the history of Satsuma Ware please see our article Japanese Satsuma Ware.
WHY BUY FROM JACKSONS ANTIQUE?
At Jacksons Antique, we are a small family-run business with over 10 years of experience in the fine antiques trade. We are proud members of LAPADA (The Association of Art & Antiques Dealers) and CADA (The Cotswold Art & Antique Dealers’ Association), trusted by collectors, interior designers, and private clients worldwide.
Every piece we offer is individually sourced, carefully researched, and fully authenticated, accompanied by a certificate of authenticity. We provide insured worldwide shipping and secure checkout via Stripe, a global payments provider trusted by companies including Amazon and Booking.com.
With every order, you will receive our latest printed product guide, a certificate of authenticity, and full tracking details so you can follow your item from dispatch to delivery. For complete peace of mind, we also offer a no-hassle money-back guarantee.
We provide flexible layaway options and a level of personal service that larger retailers simply cannot match. When you buy from Jacksons Antique, you are supporting sustainable, environmentally conscious collecting and helping to preserve historic objects rather than contribute to mass production.
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